La pintura mural de Pablo O´Higgins en Michoacán

Abstract

This academic work it's about life and work of painter Pablo O'Higgins. He has been considered as one of the most important artist of second generation of Muralismo Mexicano. You can find a section with biographical information about the artist, which shows his beginnings and consequent career; the link that Pablo O'Higgins maintained between artistic work and political activism, which was a fundamental part of his life, was also reflected in his personal and artistic performance, which would earn him affection and public recognition, as well as Mexican nationality, with meritorious character. Diego Rivera was an important influence personal and professional in the life of Pablo O´Higgins. Rivera invited to O´Higgins to know Mexico, and then, they worked together. In addition, the iconological interpretation of two murals located in the state of Michoacán was carried out, using the Iconological Method, proposed by Aby Warburg and taken up by Panofsky, mediant eel, a wide and complete reading can be given to the works of art in question. The murals are: Tenochtitlan Libre and Éxodo de la población del Paricutín. The first, locate in the José Rubén Romero theater, in the city of Morelia, and the other mural, is located in the rural Primary School "Eréndira", in Caltzontzin, Uruapan.

La tesina tiene como propósito principal realizar un recuento y análisis sucinto sobre el devenir específico de la Universidad Michoacana de San Nicolás de Hidalgo, en el lapso comprendido entre 1944 y 1982, lo que corresponde en su parte medular a la etapa de evolución económico-social del país que se conoce como Desarrollo Estabilizador. Este complejo e importante proceso, que en gran medida explica la configuración del México contemporáneo, fue decisivo en el redimensionamiento de esta institución de educación superior, en la cual se registró un creciente y desinhibido protagonismo de sus actores sociales concurrentes: autoridades, profesores, alumnos y empleados. Esto se reflejó en los conflictos de los años cincuenta y sesenta del siglo pasado que contribuyeron en gran medida, a la democratización interna, la canalización gubernamental de mayores recursos presupuestales y una más amplia vinculación con la sociedad.